Cross-fertilization of ideas from art and science is used by information artists to create art. They let scientific research and technology guide and influence their work. Information art theories suggest that art and techno-science can both influence culture equally, ignoring any distinction between the two.
The Information Age has resulted in a proliferation of methods for accessing and retrieving data.
As a result of the influence on the visual arts and information art, a diverse range of methods for artists to express themselves has emerged. These modes of expression can include everything from using natural science and math principles to using computers and video game technology.
The natural sciences are a source of inspiration for many people who create information art. Ned Kahn, for example, is a sculptor who draws inspiration from physics, geology, and astronomy. Seismic Sea, for example, is a sculpture that consists of a layer of water inside an acrylic dish. Viewers can create vibrations that cause waves to form inside the dish by standing on the sculpture’s base. They can look up and see the lovely patterns created by the waves, as well as how they are reflected on the wall.
Dr. Clifford Pickover is not a trained artist, but he considers himself to be one. Pickover, a graduate of Yale University’s Department of Molecular Biophysics and Biochemistry, creates drawings and paintings using computers and fractal mathematics. E.T. Fractal, his amusing work, appears to be one or more aliens, depending on one’s perspective.
Computers, it goes without saying, have had a significant impact on information art. Information art based on video game technology is becoming more popular. Unlike traditional video games, these art games frequently lack clear objectives. Their goal is to immerse the viewer in an interactive experience that causes them to reconsider their perceptions of art and games.
Information artists, for the most part, aren’t just interested in using technology to make art. They want to learn about scientific principles and technology in order to create new forms of art. Information artists, who see themselves as researchers, believe that scientific knowledge can influence their work. Information art theories recognize that both artistic and technological innovation require observation, creativity, and abstract thinking.
Information artists frequently point out that prior to the Renaissance, art and science coexisted without distinction. Modern culture, on the other hand, has frequently distinguished the two, viewing them as distinct disciplines. This schism, according to information art theories, is illogical and based on narrow thinking.