For theater, commercials, films, and television productions, a stagehand performs a variety of tasks. The work is typically regarded as behind-the-scenes. Working with props, equipment, and scenery is common, as is heavy lifting, stage set knowledge, and construction skills.
Physical fitness and the ability to lift heavy equipment are usually required for this type of work. Although much of the training can be done while working, potential candidates must be familiar with the equipment and how to properly repair it. Advanced jobs may require prior carpentry or electrical work experience.
Props, also known as stage property, are a collection of small items that make up the overall stage setting. Items worn by the actors, such as hats or glasses, can be included in this category. Set props, such as rugs or furniture, as well as items that actors might use in a scene, such as bookcases or briefcases, can be included.
A prop stagehand’s job is to ensure that all of the necessary props are in place at the start of a scene. When the scene is finished, the stagehand must usually take the props backstage and replace them with new ones for the next scene. He or she may also be in charge of locating props for various scenes.
A grip is a stagehand who moves scenery and equipment in the television and film industries. Flats, or moveable wooden frames for stage scenery, are the most common items that a grip must move and dismantle. A grip might also collaborate with scenic designers on the flats’ decoration or painting.
A flyer is a stagehand who places scenery in the stage’s roof, which is the area above the stage that isn’t visible to the audience, and then lowers it as needed. This stagehand may also assist lighting technicians or stage electricians with lighting setup and other duties.
A theater stagehand may also collaborate with sound engineers to ensure that sound systems are operational. A stage production’s sound system is usually very important. The sound system not only amplifies the actors’ voices, but it also serves as a source of music and sound effects in the production.
Stagehands usually have a variety of jobs depending on where they work. If they work at a unionized studio or theater, for example, jobs may be shared among all stagehands. Non-union employers will frequently assign each stagehand to multiple tasks.