The physical environment in which a play or stage performance is performed is created a scenic designer, also known as a set or stage designer. The stage is a blank canvas on which he paints the backdrop for the characters’ performances. A good set design can be crucial to the success of the production as a whole, just as appropriate and impeccably designed costumes play an important role in the success of a play.
The first steps taken a scenic designer to create a memorable set are usually very basic and straightforward. Before preparing a preliminary set of drawings and paintings depicting his vision for the design, he and the director usually discuss the tone of the production. The designer often gives the plans to the master carpenter to build a set model after they agree on the set design.
Following the approval of the preliminary model, the scenic designer can begin researching the set’s aesthetic requirements. This could include researching historical data and images to ensure that furniture, architecture, and accessories are accurately depicted. He keeps the set production crews informed as necessary changes are made. They discuss options for implementation or choose alternate routes to achieve the desired results if challenges are discovered.
The cast is usually briefed on the set design as rehearsals begin. The scenic designer occasionally observes the production as it progresses through rehearsals. He may identify problem areas that the production crews should address. Physical changes to doors or stairs, decorative changes to improve authenticity, and lighting changes that affect shadows or colors are just a few examples.
Throughout the production, various designers, managers, and artists are frequently consulted. The scenic designer, director, and producer collaborate to decide which ideas are worthy of implementation as crew members make observations and suggestions for improvements. The opinions of critics on the production are frequently taken into account.
The scenic designer is generally required to submit budget projections and expenditure reports, which is a less creative aspect of his job. Inventory counts on materials borrowed from the scenery and props departments are required the venue’s management on a regular basis. Investors in the production may demand explanations for cost overruns.
Following the completion of the production, the scenic designer typically compiles a portfolio for himself and possibly future designers, producers, or directors to review. The materials he used in his design, as well as special effects and how they were created, are usually included in the portfolio. Other facts or conditions may be included in the document that will aid him in designing future sets for the same or similar productions.
Although formal art or theater education is preferred, it is not always a requirement for this position. Many scenic designers have experience with costumes, props, and set construction. Success as a scenic designer is often determined the designer’s imagination and creativity, as well as his ability to translate his vision into a believable set design.