The term “danger music” is frequently used to describe music that is thought to pose a threat to the performer or the listener. It is usually a variety of experimental music or noise music as a specific form. The Fluxus movement in the twentieth century gave birth to the concept. Noise levels are often changed, provocative lyrics are sung, and potentially harmful elements are added to live performances.
One of the most common weapons in the arsenal of danger music performers is sound volume. The music may be played at various levels of intensity, eventually reaching volume levels that may frighten listeners or even cause permanent hearing damage. Music could also be combined with loud sounds such as explosions performers. Extremely loud sounds, or noise levels so high that they cause bowel control loss, could theoretically cause so-called brown notes.
Lyrics can also be used to create a sense of danger. Performers may try to convey hidden or even overt messages about things that are thought to be evil, such as evil spirits or serial killers. In some cases, lyrics may even encourage physical harm to the performer, the listener, or other people — for example, lyrics could tell the singer to tear his eyes out.
Danger music may also include potentially dangerous stunts in which performers put themselves or audience members in perilous situations. A performer might, for example, bring explosives onto the stage or drive a large vehicle through an audience. Some bands use prepared instruments, which are rigged with amplifying devices or potentially dangerous additions like chainsaws or razors.
Only a few pieces of danger music have ever been performed in public. When a performance is scheduled, concerns and protests frequently result in the event being canceled. Even for permitted performances, audience members are sometimes asked to sign legal waivers releasing the band from any liability for injuries. One well-known example of this approach is the Japanese noise band Hanatarash.
Danger music is, without a doubt, the most daring form of experimental music. Music that does not fit into a traditional mode and instead embraces new styles and approaches is referred to as experimental music. Danger music, like experimental music, is known for its unpredictability. Because of these factors, this type of music is part of an avant-garde philosophy in the arts and media that pushes boundaries and questions common assumptions.
The Fluxus movement served as an experimental inspiration for danger music. This movement arose from the turbulent 1960s and focused on the use of various forms of media in music. Performers took a theatrical approach to their performances as well. One of the danger music elements that emerged from the Fluxus movement was loud screaming. Many of these elements flourished in the late-twentieth-century rock punk genres.