An animation producer is a person who oversees the production of an animated series or film. As the producer, this person will typically serve as a conduit for communication and idea filtration between studio executives and the animators who create the finished product. In this position, the animation producer must be able to keep an animated production’s costs under control while also ensuring that the creative animators and artists working under him or her are able to complete the feature or series they are working on. Finally, as the title implies, it is the producer’s responsibility to ensure that a finished product is produced.
By the artists working on a feature or series, the animation producer is frequently regarded as “the bad guy.” This is due to the fact that he or she is usually the highest-ranking member of the crew who will be readily available and accessible to the rest of the crew. When something goes wrong on set, such as meals not being ordered correctly or supplies not being restocked in a timely manner, the producer is often the person who the artists point the finger at and complain about.
However, the animation producer is also the person who will discuss any problems or budgetary issues with the studio’s executives on the other side of the production. This means that any problems that arise from those in charge will eventually fall on the producer. If the feature or series is late or over budget, the producer will be held directly responsible, and his or her job may be jeopardized if the problem is not resolved.
The animation producer is usually well compensated for all of his or her efforts. He or she is usually paid like an executive, not like an artist. This higher pay, on the other hand, is intended to compensate the producer for the amount of stress and pressure he or she will typically face.
An animation producer’s job entails managing people, time, and money more than it does performing artistic tasks. Because it may be necessary to understand certain aspects of the creative process in order to manage those working in an artistic field, the producer may want to have some knowledge of animation. This does not imply that the producer must learn to be an animator; rather, the producer must have sufficient knowledge to properly orchestrate the talent.